{"id":1333,"date":"2020-05-20T06:23:19","date_gmt":"2020-05-20T06:23:19","guid":{"rendered":"http:\/\/www.ukm.my\/jatma\/?page_id=1333"},"modified":"2020-06-09T01:26:45","modified_gmt":"2020-06-09T01:26:45","slug":"volume-8-no-2","status":"publish","type":"page","link":"https:\/\/www.ukm.my\/jatma\/en\/volume-8-no-2\/","title":{"rendered":"Volume 8 No.2"},"content":{"rendered":"\n\n\n\n\n\n\n\n\n\n\n
\"\"<\/a><\/td>\n<\/td>\n1)<\/td>\nIndependence of Madurese Women\u2019s Healthy Lifestyle with Ajhemo
\nSri Ratanawati, Moch Ali & Gede Wirata<\/em><\/p>\n
\n<\/td>\n		PDF<\/a><\/td>\n<\/tr>\n
2)<\/td>\nPreservation of Kertuk as a Musical Ensemble Among the Locals in Kelantan
\nNur Hazirah & Ros Mahwati Ahmad Zakaria<\/em><\/p>\n
\n<\/td>\n		PDF<\/a><\/td>\n<\/tr>\n
3)<\/td>\nCannons in Fort Melawati, Kuala Selangor
\nMohd Haidi Mohd Kasran, Rozeha Harun & Mohd Hairul Izwan Mohd Kasran<\/em><\/p>\n
\n<\/td>\n		PDF<\/a><\/td>\n<\/tr>\n
4)<\/td>\nExploitation of Grice\u2019s Maxims as A Symbol of Language Subtlety in A Malay Community: An Analysis in The Dayang Senandong Film (1965)
\nNorhidayu Hasan, Zaitul Azma Zainon Hamzah, Nor Azuwan Yaakob & Fazilah Husin<\/em><\/p>\n
\n<\/td>\n		PDF<\/a><\/td>\n<\/tr>\n
5)<\/td>\nTurn-Taking in Radio Talks of IKIMFM
\nNur Amirah Binti Che Soh<\/em><\/p>\n
\n<\/td>\n		PDF<\/a><\/td>\n<\/tr>\n
6)<\/td>\nEmbracing The Artistic Heritage of Langkasuka in Malay Peninsula
\nNurul Izzah Mohd Johari, Tajul Shuhaizam Said & Harozila Ramli<\/em><\/p>\n
\n<\/td>\n		PDF<\/a><\/td>\n<\/tr>\n
7)<\/td>\nThe Entries of Brunei Malay Dialect into Bajau Language: A Preliminary Notes
\nSaidatul Nornis Hj. Mahali<\/em><\/p>\n
\n<\/td>\n		PDF<\/a><\/td>\n<\/tr>\n
8)<\/td>\nKedah in the Middle War between Konbaung and Chakri
\nMohd Herman Bin Roslan<\/em><\/td>\n		PDF<\/a><\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

1) Independence of Madurese Women\u2019s Healthy Lifestyle with Ajhemo Sri Ratanawati, Moch Ali & Gede Wirata PDF 2) Preservation of Kertuk as a Musical Ensemble …<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1333","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.ukm.my\/jatma\/wp-json\/wp\/v2\/pages\/1333","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ukm.my\/jatma\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ukm.my\/jatma\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ukm.my\/jatma\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ukm.my\/jatma\/wp-json\/wp\/v2\/comments?post=1333"}],"version-history":[{"count":3,"href":"https:\/\/www.ukm.my\/jatma\/wp-json\/wp\/v2\/pages\/1333\/revisions"}],"predecessor-version":[{"id":1351,"href":"https:\/\/www.ukm.my\/jatma\/wp-json\/wp\/v2\/pages\/1333\/revisions\/1351"}],"wp:attachment":[{"href":"https:\/\/www.ukm.my\/jatma\/wp-json\/wp\/v2\/media?parent=1333"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}